Pauline Kael, Book Reviews, The Age of Movies, A Life in the Dark
31.12.69
“A couple of theories have arisen to explain Kael’s critical ascendancy during this period. One holds that movies in those years were just exceptionally good. It was the time of Bonnie and Clyde (1967), The Godfather (1972), Nashville (1975), and Taxi Driver (1976), and Kael praised those pictures’ innovations at length. Another theory suggests that Kael changed the rules of criticism, setting up a new way of evaluating popular art, without concern for prestige or self-conscious sophistication: in her view, a freshly entertaining or arresting movie was successful, and a movie that seemed tired or required unpacking was a flop,..
Brian Kellow’s illuminating new biography, Pauline Kael: A Life in the Dark (Viking; $27.95), dutifully attends to both theories. The book traces a plot in which Kael rises up against an élite critical establishment; champions mainstream pleasures in the movie house; makes a name as a critical iconoclast;
Source: Indie Wire (blog)