British Board of Film Censors - Brief Encounter (1946)
Here is the opening of the film with the British Board of Film Censors "A" certificate which has been cut from the VHS and dvd releases ...
Brief Encounter (1946).wmv
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Doktor Zhivago (1965)
Men samtidig er filmene svært forskjellige, og det mest iøynefallende avviket er antagelig også hovedgrunnen til at Doktor Zhivago er kommet litt i skyggen av forgjengeren. Lawrence of Arabia har en hovedperson som er uhyre aktiv, en skikkelse som med manisk og megaloman besluttsomhet tar skjebnen i egne hender, og har en så sterk personlighet at han setter sitt preg på en hel region og krigføringen der. Legen og poeten Zhivago har imidlertid en helt diametralt motsatt rolle, der han blir en kasteball i omveltningene og de voldelige tumulter under Den russiske revolusjon. Langt fra å ville dra ut for å endre verden, som de revolusjonære gjorde, er Zhivago en intelligent og rolig fyr som kun vil være i fred og drive med sitt. Spillestil og utseende hos de to hovedrolleinnehaverne kunne heller ikke vært mer forskjellig: På den ene siden Peter O’Toole s blåøyde, blonde skikkelse og eksentriske, rastløst intense rollefigur, på den andre Sharifs mørke øyne og hår, som med sin følsomme og forståelsesfulle personlighet skaper en av filmhistoriens mest genuint sympatiske skikkelser.
Brief Encounter 1946 - Bookshelf
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362 pages |
The Foreign Film Renaissance on American Screens, 1946-1973 The Rank films that stimulated the emerging art film market included: David Lean's Brief Encounter (1946) and Great Expectations (1947); Laurence Olivier's ... |
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The Penguin film review, 1946-1949, a reprint Brief Encounter, one of the better British films, though by no means an exceptional one, ... Brief Encounter renders a brief railway junction with loving ... |
Brief Encounter 1946 - News
Cannes 2012: Confessions of a Cannes festival virgin
But in 1946 it returned with one hell of a programme: David Lean's Brief Encounter, Billy Wilder's The Lost Weekend, Alfred Hitchcock's Notorious, George Cukor's Gaslight and Charles Vidor's Gilda all screened in competition.
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From film buff 'colony' to star frenzy: Cannes at 65
After the war, Cannes resumed with 21 countries sending films in 1946, among them David Lean's "Brief Encounter". Politics were very much an issue at the time as the Cold War loomed, and in the 1950s several films -- about colonialism or Nazi death
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Odd couple on film: Despite their differences, Lean directed Brief Encounter (1945), based on Coward's one-act 1936 play, Still Life. Once again, Lean, Neame, and Havelock-Allen adapted Coward's work, but this time, oddly, no one was given credit for the screenplay. |
Understanding Screenwriting #93: The Deep Blue Sea, A Separation, Pauline Kael ...
There is a brief sequence in the Aldwych tube station that is a direct steal from one of the final scenes in Brief Encounter (1945), but if you look at Brief Encounter, it does not fetishize the period as Davies does. And Davies makes it worse in the
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DVD Extra: When Noel met David (Lean)
"Brief Encounter'' (1945), the last Cineguild production was adapted (reportedly by Lean, Neame and Havelock-Allen, none of them credited) from "Still Life,'' one of nine one-act plays by Coward that were performed in repertory as "Tonight at 8:30''
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