1962 - Lover, Come Back to Me - Barbra Streisand - Live Bon Soir
Lover, Come Back to Me Barbra Streisand Live to Bon Soir, 1962
Lover, Come Back to Me Barbra Streisand Live to Bon Soir, 1962

When I think “A Clockwork Orange” disturbingly wanton violence and sex, violent sex at that, come to mind. So when I heard that Anthony Burgess ’ 1962 dystopian novella was being adapted as a stage musical with an all-black cast… Great! Not. Young black men marauding, raping and pillaging sounds like any right-wing thinker’s wet dream, ripe for hate-fueled, fear-mongering, divisive propaganda. However, Theatre Royal Stratford East in London decided to tackle such a scenario and, with the recent riots that rocked some of the nation’s cities still fresh on our minds, and with socio-political rhetoric still ringing in our ears – most commentary surreptitiously laying the blame at black youths, while one white historian openly blamed black culture – my ambivalence about seeing this play swayed between dread and cautious optimism.
My cautious optimism sprang from
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292 pages |
Lover, come back, revised final screenplay |
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127 pages |
Lover come back, an original Gold Medal novel |
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