Culture Warrior: Enduring the Clarity and Questions Raised By 'Shoah'
31.12.69
Struggles to realize the means to articulate a representation of these events as it simultaneously weighs the absolute necessity that these stories be told and preserved. What results is an incredible omnibus of detailed individual accounts of events, procedures, and terrible memories at various concentration camps. Any one of these stories could be a movie on their own.
Initially, the notion of such a lengthy documentary told without archival footage is just as daunting as the movie itself. How could one sit through such a documentary without variance in content? How could one comprehend the horrors of the stories being told without seeing some representation of the events themselves? Lanzmann assumes that archival images of the Holocaust have become ubiquitous to twentieth-century visual culture, and he’s absolutely right. One of the most horrific truths one encounters when trying to understand the Holocaust is accepting that it’s a result of decades of industrial production,
Source: Film School Rejects